
a visual way to explore the brain pickings book archive :: otlet's shelf theme :: back to brain pickings
CREATIVITY :: DESIGN :: SCIENCE :: HISTORY :: PSYCHOLOGY :: ART
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“It’s by writing… by stepping back a bit from the real thing to look at it, that we are most present.”
There aren’t enough words, nor adequate words, to articulate just how many levels of brilliant Alison Bechdel’s memoir about her mother is — a wealth of insight into writing, therapy, self-doubt, and how the messiness of life foments the creative conscience. Dive in:
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Charles Schulz, civil rights, and the never-before-seen art of Peanuts:
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Some of today’s most exciting illustrators and graphic artists imagine the origin of the universe and how our world came to be:
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Some of today’s most exciting comic artists tell the graphic stories of some of history’s boldest creative mavericks – Walt Whitman, Oscar Wilde, Josephine Baker, Henry Miller, Gertrude Stein, Thelonious Monk, and more:
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Freud’s life and legacy, in a comic:
The art of Rube Goldberg (yes, THE Rube Goldberg), plus a fun animated GIF to boot
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“There’s both liberation and possibility in pointing out that you’re not a sellout or a coward for refusing to adopt a label that doesn’t quite name your experience.”
Artists and writers tackle gender politics in comics
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The comic book universe, distilled in infographics – from the trifecta of superhero tropes (apparently, underwear worn on the outside is a make-or-break factor) to the genealogy of Scrooge McDuck’s kin (none of whom, coincidentally, wear underwear) to the Multiverse (or, at least, multi-Earth universe) that emerges from the entire line of DC comics to the daily schedule of the average manga artist:
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Some of today’s most exciting visual artists take on the literary canon’s classics: Ulysses in six panels, Colette in pen and ink, Yeats in watercolor, and other literary springboards for art. Delicious images at the link:
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Two millennia of philosophy in comic book form – from the pre-Socratics to Jacques Derrida, by way of Rene Descartes, John Stuart Mill, and Carl Jung.
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Some of today’s most exciting graphic artists adapt a remarkable spectrum of literature since 1800, spanning everything from “the bad boys of Romanticism” — Keats, Byron, and Shelley — to cornerstones of science and philosophy like Darwin’s On the Origin of Species and Nietzsche’s Thus Spake Zarathustra.
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A collection of Dr. Seuss’s little-known wartime propaganda cartoons.
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Writer and illustrator Jonathan Fetter-Vorm suggests that the story of the atomic bomb is perhaps something told best not through thousands of government documents, but instead drawn on a chalkboard. The result is a concise and beautiful grasp on one of the most complex and essential events of the twentieth century — and a fine testament to the power of graphic storytelling in serious nonfiction.
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Fear and loathing in six panels.