A thoughtful exploration of the world by beloved French illustrator Blexbolex, in which each charmingly matte and papery double-page spread features a full-bleed illustrated vignette that captures the human condition in its diversity, richness and paradoxes. From mothers and fathers to dancers and warriors to hypnotists and genies, Blexbolex’s signature softly textured, pastel-colored, minimalist illustrations are paired in a way that gives you pause and, over the course of the book, reveals his subtle yet thought-provoking visual moral commentary on the relationships between the characters depicted in each pairing.
In 1969, a collaboration of epic proportion took place as the Lewis Carroll classic was illustrated by none other than Salvador Dalí.
Published by New York’s Maecenas Press-Random House in 1969 and distributed as their book of the month, the volume went on to become one of the most sought-after Dalí suites of all time. It contains 12 heliogravures, one for each chapter of the book, and one original signed etching in 4 colors as the frontpiece, all of which the fine folks at the William Bennett Gallery have kindly digitized for your gasping pleasure.
It’s no secret I’m a big fan of Edward Gorey’s, mid-century illustrator of the macabre, whose work influenced generations of creators, from Nine Inch Nails to Tim Burton. Eleven years after his death, Gorey still manages to charm us with his signature style of darkly delightful illustrations with Why We Have Day and Night. In three dozen beautifully minimalist black-and-white illustrations, with plenty of design-nerd-friendly negative space, Gorey and collaborator Peter F. Neumeyer illuminate young readers on the mystery of why we have darkness and light.
Christoph Niemann is our favorite children’s book illustrator and today is a big day because it’s the day he releases his latest gem: That’s How! — an absolutely lovely invitation to explore the inner workings of the world visually, through the pursuit of what we hold as our highest ideal for navigating life: Reckless, indiscriminate curiosity.
Playful, quirky and delightful, the book is a cover-to-cover treat for parents, kids and eternal children of all ages, tickling our fancy as we imagine a whimsical alternate reality behind our worn mundanity.
Evolutionary biologist Richard Dawkins — who in 1976 famously coined the term “meme” in his seminal, must-read book The Selfish Gene — is nowadays best-known as the world’s most celebrated atheist. This week, Dawkins brings us his first sort-of-children’s book, The Magic of Reality: How We Know What’s Really True — a scientific primer for the world, its magic, and its origin, an antidote to the creationism mythology teaching young readers how to replace myth with science, and a fine addition to our favorite soft-of-children’s nonfiction.
The fairy tales of the Brothers Grimm, part of UNESCO’s Memory of the World Register for the preservation of cultural documents, have been delighting and terrifying children since 1812, transfixing generations of parents, psychologists, and academics. The Fairy Tales of the Brothers Grimm is an astounding new volume from Taschen editor Noel Daniel bringing together the best illustrations from 130 years of The Brothers Grimm with 27 of the most beloved Grimm stories, including Cinderella, Snow White, The Little Red Riding Hood, and Sleeping Beauty, amidst artwork by some of the most celebrated illustrators from Germany, Britain, Sweden, Austria, the Czech Republic, Switzerland, and the United States working between the 1820s and 1950s.
This is a fascinating collection of rare archival images by David L. Chapman and Patricia Vertinsky 30 years in the making, chronicling nearly 200 years of sociocultural narrative on the strong female physique. These women expanded and redefined femininity itself, reining in a new era of relating to the will and the body, but their plight was and remains far from easy, carried out most prominently in the battlefield of popular imagery.
This treasure trove explores strongwomen’s legacy through rare posters, advertisements, comic books, flyers, and magazines, many never-before-published, for a total of 200 fantastic full-color and black-and-white illustrations and photographs, framed in their intriguing and far from frictionless cultural context.
Kurt Vonnegut — prolific author, anarchist, Second Life dweller, imaginary interviewer of the dead. And, apparently, troubled soul. At least that’s what’s behind the curtain Charles Shields (of Mockingbird: A Portrait of Harper Lee fame) peels in And So It Goes, subtitled Kurt Vonnegut: A Life — the first-ever true Vonnegut biography, revealing a vulnerable private man behind the public persona, a difficult and damaged man deeply scarred by his experiences.
Powerful and revealing, And So It Goes joins the ranks of recent books that offer rare glimpses of the vulnerable selves of cultural icons — even though it perpetuates, all too dangerously in my opinion, the myth of the creative genius as a damaged soul.
This is a stunning vintage illustrated children’s book from 1971 by Margaret Sutton, best-known for herJudy Bolton mysteries. It tells the story of The Beatles, from their humble Liverpool beginnings to meeting the Queen to the British invasion of America, blending the bold visual language of mid-century graphic design with the vibrant colors of pop art.
More than a charming way to explain who The Beatles were to a kid, We Love You, Beatles is a wonderful and visually gripping piece of cultural ephemera from a turning point in the history of both popular music and popular art.
From the ever-talented Julia Rothman — she of Drawn In and The Exquisite Book fame, and one of the most original illustrators working today — comes Farm Anatomy: The Curious Parts and Pieces of Country Life, a charming illustrated guide to the intricate microcosm that underpins your dinner plate. From how to properly milk a cow to a taxonomy of squash varieties and faming tools to a morphology of barn cupolas, Rothman’s warm drawings are bound to entertain, educate (did you know that a one-year-old goat is called a ‘yearling’ and you can use cornflower to dye wool blue?), and instill in you newfound awe and fascination with rural life.
Since LEGO’s dawn in the 1940s, more than 4 billion minifigs have been manufactured — that’s more than one for every two people on the planet — and the love of LEGO has become so cross-cultural and enduring that it might even be called a cult. That’s exactly what MAKE Magazine’s John Baichtal and BrickJournal founder Joe Meno explore in The Cult of LEGO — a sweeping illustrated journey into the world’s of LEGO and its obsessively devoted community, from the most extravagant and complex models built to the uses of LEGO in therapy, teambuilding, and prototyping to curious factoids about the LEGO universe. (Did you know that more than 4,000 different minifigs have been manufactured since 1978… frustratingly, with a male-to-female ration of 18:1.)
As far as unlikely friendships go, it hardly gets any unlikelier than that between Sherlock Holmes creator Sir Arthur Conan Doyle and legendary illusionist Harry Houdini. Born fifteen years apart into dramatically different families, one the educated product of a proper Scottish upbringing and the other the self-made son of a Hungarian immigrant, the two even stood in stark physical contrast, once likened by a journalist to Pooh and Piglet.
But when they met in 1920, something extraordinary began. In Masters of Mystery: The Strange Friendship of Arthur Conan Doyle and Harry Houdini, acclaimed pop culture biographer Christopher Sandford tells the story of the pair’s unique friendship, sometimes macabre, sometimes comic, and fundamentally human, underpinned by their shared longing for lost loved ones and their adventures in the world of Spiritualism — at the time, a world with unmatched popular allure.
Mine is PANTONE 803-C, what’s yours? More than mere aesthetic fetishes, our favorite colors — and color in general — speak to us in powerful cyphers of symbolism, memories, associations, and emotional undertones. What is true of us as individuals is also true of culture at large.
In PANTONE: The Twentieth Century in Color, longtime PANTONE scholars Leatrice Eiseman and Keith Recker explore 100 years of the evolution of color’s sociocultural footprint through over 200 works of art, advertisements, industrial design products, fashion trends, and other aesthetic ephemera, thoughtfully examined in the context of their respective epoch.
Dieter Rams is commonly considered the greatest industrial designer of all time, a living legend whose principles of good design prevail as a timeless manifesto for the cultural, aesthetic and social function of the discipline. As Little Design As Possible: The Work of Dieter Rams is a fantastic new book by British design historian Sophie Lovell, titled after his tenth principle, “Good design is as little design as possible,” and exploring with unprecedented intimacy both his designs and his ethos, the creative process and the cultural legacy of his elegant, timeless work.
In October of 1936, J.R.R. Tolkien delivered to his publisher the manuscript of what would become one of the most celebrated fantasy books of all time. In September of the following year, The Hobbit made its debut, with 20 or so original drawings, two maps, and a cover painting by Tolkien himself. But it turns out the author created more than 100 illustrations, recently uncovered amidst Tolkien’s papers, digitized by Oxford’s Bodleian Library, and freshly released in Art of the Hobbit — a magnificent volume celebrating the 75th anniversary of The Hobbit with 110 beautiful, many never-before-seen illustrations by Tolkien, ranging from pencil sketches to ink line drawings to watercolors.