In 2003, British photographer Robbie Cooper was shooting the divorced CEO of a company, who shared that he used virtual world games to play with his children, a meeting them every evening in Everquest, where they would play and chat about mundane things like school and their mother. It was a way for him to connect with his kids, to whom he had little access after the divorce. So Cooper spent the next three years traveling the world, from France and Germany to Korea and China, to photograph virtual world players, placing their portraits next to their avatars. The results — poignant, powerful, remarkably eye-opening — are gathered in this fascinating and, at its core, profoundly human glimpse of our quest for selfhood, identity, and social belonging. Micro-essays by each gamer offer a layered look at how we assemble our personas in a way that transcends the physicality of our bodies, our genetics, and our circumstances.